Book
A significant contribution to the growing literature on Caribbean organisations, activists and writers in the post-war period, from the Manchester Pan-African Congress to the Black Power Movement and beyond.
—Hakim Adi, Professor of the History of Africa and the African Diaspora, University of Chichester
Blackening Britain begins with the taller trees, such as Harold Moody, in the urban forests of 1950s British race relations. From these heights, this comprehensive text plunges its readers into the thick and violent undergrowth, where the struggles of Black immigrants to survive remained for decades at the level of life and death. It closes with Black political and intellectual responses to these bitter racial struggles. Most definitely an informative and engaging read.
—Paget Henry, Professor of Africana Studies and Sociology, Brown University
In Blackening Britain, James Cantres argues that West Indians in Britain did much more than pursue British identity and citizenship. Grounded in a racialized consciousness and pulling from transnational political imaginaries, they rejected the British state as the arbiter of identity construction and cultivated a more radical “post-nationalist perspective.” An important contribution to the growing body of work on Black Britain.
—Monique Bedasse, Associate Professor of History, Washington University in St. Louis
Upcoming events for Blackening Britain
Book Chapters
Articles
“The Black Rebel Athlete: Spectacle and Protest,” Public Books, January 2021.
“Never Tired of Running,” Fashioning the Self, December 2018.
Book Reviews
Migrant Modernism: Postwar London and the West Indian Novel, J. Dillon Brown, Caribbean Quarterly, Vol. 61, No. 4, December 2015.
The Lost Gospel: Christianity and Blacks in North America, Jerome Teelucksingh; British Journal of Canadian Studies, Vol. 25, No. 2, 2012.
Africans in Europe: The Culture of Exile and Emigration from Equatorial Guinea to Spain, Michael Ugarte; The Afro Hispanic Review, Vol. 30, No. 1, Spring 2011.
Other Writing
Press Release: In the Eye of the World, 2020.